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How Social Media Filters Changed the World

  • Writer: Mike Stevenson
    Mike Stevenson
  • Mar 20
  • 3 min read

Updated: Mar 24

Before filters, taking photos was about capturing memories.


You’d share them with close friends and family.


Nobody curated anything.


Nobody agonised over which version of a sunset made their life look more interesting.


Then in 2010, Instagram gave normal people the power to transform reality into art.


And nothing was the same again.


Filters on social media didn’t just enhance our photos; they enhanced our identity.


On the surface, it seemed harmless.


A warmer tone.


A vintage grain.


A slight saturation boost.


But what filters actually did was give people the ability to alter reality.


And once you can alter reality, you don’t just change how your photos look.


You change how you think about:

  • Your life.

  • Your sense of self.

  • Your place in society.

  • How you want everyone else to perceive all three.


Filters became a vehicle for self-expression that quickly became a vehicle for self-promotion.


People could now create a narrative of their lives through the images they shared.

Carefully crafted.


Deliberately curated.

Designed to present a specific image to their followers that often had very little to do with what was actually happening.

From filters to living through a camera.


With filters and curated feeds opening the door to a way we could alter and improve our reality, Instagram made it normal for us to live our lives through a camera.


Sharing photos and videos of our food, our faces, scenery, and our interests.


Hoping that they reflect something about who we are or who we aspire to be.


We interact with friends and followers who are doing the exact same.


In hopes of building a personal brand.


Without much reflection on what that truly means.


What we fail to realise is that these apps have caused a huge portion of the global population to develop complex and dependent relationships with their phones.


Relationships that compel us to live our lives through a lens for the reward of digital validation.


It’s introduced a modern pressure that we must only post the best photos and videos.


To make our lives seem more perfect than they actually are.


And the pressure doesn’t just sit on influencers.


It sits on everyone.


The celebrity-making machine.


Instagram has become a celebrity-making machine, with more Insta-made celebrities than the New York Times has subscribers.


Brands and businesses now design their spaces, products, and marketing strategies with influencers primarily in mind.


Because that’s where the attention lives.


This has directly caused social comparison theory to spiral to unprecedented levels.


Social proofing has become a key status indicator of:

  • Who we should aspire to look like.

  • How we should act.

  • How we should live.

  • What we should buy.


Social media influencers have become a primary reference point of trust when making a

purchase decision.


We now use the same brands they promote to represent our own sense of self.


As if owning the same product makes us the same person.


If a Kardashian says it’s great and worth the money, then I must have high status because I use and can afford the same product.


That’s not identity.


That’s imitation sold as aspiration.


The cost nobody talks about.


Instagram has over 1 billion monthly active users.


It is the fourth most popular social networking site in the world.


And the mental health data tells a very different story from the promotional PR copy.


Anxiety.


Depression.


Low self-esteem.


Especially in young people who are still developing their sense of self.


The platform that promised connection delivered comparison.


And comparison at this scale, with this frequency, against this level of curation, does something very specific to the human mind.


It makes the ordinary feel inadequate.


It makes real life feel like a failure.

It makes you look at your own existence and wonder why it doesn’t look like everyone else’s highlight reel.

But the highlight reel isn’t real.


It never was.


It’s a curated feed designed to get engagement.


And we’ve been measuring our self-worth against fiction.


The question this raises.


Instagram does have positive aspects.


It connects people across the world.


It gives small businesses and artists a platform they never had before.


It’s created opportunities for people to earn a living through creativity.


But none of that cancels out the cost.


Because the same tool that empowers some quietly damages many more.


And the damage isn’t dramatic.


It’s subtle.


It’s daily.


It’s the slow erosion of contentment that comes from spending hours comparing your unfiltered life to everyone else’s filtered one.


So the question isn’t whether Instagram is good or bad.

The real question is whether you’re using the tool, or whether the tool is using you.

- Mike

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